
Gen. Tseng Jing-Ling, President of the
National Defense University of the Republic
of China, receives a copy of Gregory
Copley's Defense & Foreign Affairs
Handbook, along with a copy of The
Art of Victory, after Copley's speech on
December 12, 2006, to the faculty and
students of the NDU and the War College at
Longtan, Taiwan. Gen. Tseng presented Copley
with a crystal obelisk commemorating his
talk to the NDU. |
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The Art of Victory: a Talk to the
Descendants of Sun-tzu
By Gregory
R. Copley.
A
lecture to the Faculty and Students of
the National Defense University and the
War College of the Republic of China,
December 12, 2006.
It is a pleasure
to be back here in Taipei, particularly at
the invitation of Vice Admiral Ko Tun-hwa,
from whom I have, for some 30 years or more,
been learning about strategy. I was
fortunate enough to be introduced to him by
Dr Stefan T. Possony, to whom I dedicated my
new book, The Art of Victory. And it
was Steve Possony, who has been called �the
greatest strategic philosopher of the 20th
Century�, who first inculcated in me my love
of China and to understand the great saga
that has been Chinese history, not just in
the time of Sun-tzu, but for every day from
that time until today.
Clearly, then,
it is a foolhardy person who attempts to
talk about strategy to the descendants of
Sun-tzu. But it was here that I began
acquiring different translations of that
great master of The Art of War. Let
me reassure you, however, that The Art of
Victory is not an attempt to cover the
same ground which Sun-tzu addressed, but is
in fact a look at the broader aspects of how
human society organizes itself to survive
and prosper, and to control its own destiny.
The Art of Victory
attempts to extract from the gamut of human
experience the lessons of how mankind has
come to dominate much of nature, and survive
in relative harmony with it. More
importantly, it attempts to define how
societies form into coherent and dominant
groups, and to identify the fundamentals of
obtaining and retaining power. Indeed, it
attempts to define exactly the goals of all
societies into a series of maxims.
That means,
then, that it is a study of the concepts of
grand strategy, about establishing grand
strategic goals, and defining the political,
psychopolitical, economic, and military
paths to achieving those goals. As much as
anything, this is a book about grand
strategy and psychological strategy;
everything else, including the use of force,
is subordinate to these.
We are now in
the vortex of one of the most dynamic ages
of change in human history, and it�s time to
take stock, and to plot a course into our
future. What is the future of the human
species? Can our particular society survive
and sustain itself in control of its own
destiny (because we know that the life
expectancy of societies is precarious)?
How will we survive, and how well
will we survive? Who and what are our
competitors? How do we prevail?
So let me start
with the words which commence The Art of
Victory:
turn and take
one last look around at the life you have
known, at the life we humans have built over
the past few thousand years. It is already
gone. The granite columns of antiquity
remain, �though they crumble. Humanity, more
vast in its numbers, remembers little of its
past. This great upheaval we see today is
how the epochs change.
Our ego tells us
that this era of change is different from
all other past human experience; that the
future is unchartable and unmanageable. But
that is not so. We can shape the future as
we have always done, now more than ever
before. There are golden times again for us
to make.
And yet we
are in the eye of the hurricane, an Age
of Global Transformation, a pivotal time for
humanity. The pace of change is
accelerating, not just in science and
technology: human numbers are surging, and
flooding into urban, mostly coastal, cities
and towns, creating a cauldron of friction
and potentially revolutionary heat.
Climates, too, are changing, and yet we
remain fixated on the status quo, and
on the promises and fears of the future.
Forgotten is the fact that in our past
mankind was more aware of the tools of
survival with which nature equipped us.
� So that begins
to answer � in those opening words of The
Art of Victory � the question as to why
anyone in the 21st Century would
write a book on the subject of victory. That
word � victory � is, to many, antithetical
to the political correctness which pervades
today�s culture of self-indulgence. In any
event, what does it mean? [By the way, I do
not mean to sneer at political correctness:
it is a natural human mechanism of survival
for segments of all populations; it is a
mechanism which automatically self-regulates
society, just as militancy is a natural
reaction to certain situations.]
Clearly, we
first need to define the concept of
victory before we can determine what its
goals should be at a personal or societal
level, let alone consider how we achieve
those goals. Here we are, tens of millennia
into human social organization, and we have
not yet adequately defined one of the most
important words in our language.
My work,
specifically for the past 35 years, has been
largely to analyze events through the prism
of grand strategy, in other words through an
entirely contextual framework, embracing as
many factors as possible of current, past,
and future life and reality. Understanding
strategy, and particularly grand strategy,
demands an holistic perspective of the total
warp and weft of global history: seeing the
long, historical strands � the warp � and
the broad geopolitical contextual weave �
the weft � of current affairs, economic
trends, power and social factors, and so
on. As you can imagine, then, with that
task, there is no such thing as a perfect
grand strategist.
In total, I have
spent more than four decades studying global
issues, often in conflict zones and troubled
areas, watching societies rise and fall. In
the process, it seemed less than clear that
anyone actually remembered what historical
occurrences set them on the their path. In
essence, mankind seemed to have forgotten
where it came from and where it wished to
go. In modern, successful societies it had
become seemingly unnecessary to ask the
basic questions of: who are we and who am I?
From whence did I come? And whither do I and
my society wish to go? What is necessary for
me to survive tomorrow? Not today,
but tomorrow.
Most of us in
the West � the modern, industrialized states
essentially led by secular governments,
including, of course, the Republic of China
� had, for a half-century or more, the
luxury of believing that tomorrow was a
linear extrapolation of yesterday. The Cold
War period was a comforting respite from the
century or more of upheaval and growth which
had occurred immediately before it. During
the Cold War, we came to believe in growth
in all good things, shrugging off minor
setbacks. The end of the Cold War saw a
return to chaos, or apparent chaos, in many
things. The globalization which we saw
emerge seemed unlike anything which had been
seen in recent history. But it was not
unprecedented in its strategic
characteristics.
In the book I
talk of the reality that Genghis Khan�s
iteration of globalization in the early 13th
Century has direct parallels to today.
Genghis Khan�s approach was to seize
territory and decapitate conquered
societies, killing their leaders and
destroying their hierarchies. This left
societies without local leaders, and robbed
of much of their sense of identity. His
process � incorporating globalization of
communications and command and control,
globalization of ideas, and capital �
ensured that new concepts, and new
technologies exploded throughout the
Eurasian landmass. So, too, did other
things, such as pandemic disease. Because of
Genghis Khan�s new world, and only a century
after his death, the plague swept with
lightning speed from China�s Pacific coast �
where it killed more than 50 percent of the
population � to Europe�s Atlantic and
Mediterranean shores where it ravaged
populations. That was the last time, until
our present period, when the population of
Western Europe declined.
The black death
brought some interesting consequences.
Historically speaking, the black plague was
not entirely black. In Europe, it meant that
survivors of the plague became richer,
because they inherited from a lot of dead
relatives, and so capital formation � and
therefore economic growth and social
transformation � became easier. Today, the
decapitation of hierarchies, however, has
been performed by the mass media, but we are
often left, nonetheless, leaderless,
confused, and riven with angst.
But let me
return to the central theme: victory itself.
Victory is not
about winning a battle or a war. It is far
more complex, and far more elevated than
that. It is not just about today, or even
the next few tomorrows. This is how I
described it in The Art of Victory:
Victory � is
infinitely more important than war and
peace. Without victory � victory over
nature, victory over adversaries, victory
over self, victory over ignorance � a
society fades to extinction. Mankind can
tolerate the uncertainties and costs of
conflict, but without victory there is no
lasting peace, or any real peace at all: no
prosperity, no control over destiny, no
guarantee of survival. Victory at its
essence is the survival of the species.
Victory is the
goal of life and therefore ultimately of the
whole range of human emotions and skills; it
is a genetic writ within the essence of each
individual human being: to survive,
dominate, perpetuate, grow.�
And I went on to
say:
Victory is not
just �winning.� Winning � when viewed down
the silent, windswept plains of history � is
tactical, a phenomenon which is, by
definition, explosive, transitory, and
ephemeral. Victory is slow-burning,
overarching and transcendent. Victory
requires, however, that goals be won or
achieved on an ongoing basis. It is neither
a permanent nor secure phenomenon. Society
too often mistakes the process of conquest
for victory itself, which is the sustained
delivery of a complex pattern of successes.
To be victorious, then, implies the command
of an epoch and the fundamental alteration
of history, personal or societal. While a
single success or defeat may affect history,
victory � whether eventually undone or not �
marks the path of a society or of mankind.
In other words,
victory sounds pretty much like what we see
� or rather, what we have seen � all
around us in the West. We had conquered and
dominated geography over the centuries; we
have secured and built our economic wealth,
our science, our languages, our literature
and beliefs. We became, then, masters of all
we surveyed. The question now � in this age
when upheaval means that all things are
again up for grabs � is whether we in the
West wish this path to continue.
The bulk of
humanity has been denied a true grasp of
victory for centuries, and many now sense
intuitively that they have, in the post-Cold
War world � the Age of Uncertainty � the
opportunity to seize it. The book has 30
chapters, 28 of which are headed by a maxim,
explained in the text which follows, and all
are equally important to the attainment and
the retention of the victory of a society,
or of an individual within society. Where
possible, I have set the stage for each
maxim with an example from current life.
So the book
deals heavily with the formulation and
components of grand strategy and how they
relate to the success or failure of both
societies and individuals. It gets into how
belief systems are formed, and the r�le of
religion; and it gets into one of the main
areas of my work for which there has never
been a textbook: psychological strategy.
The original
paper on which the book is based was
intended to follow, and to broaden the
context of Sun-tzu�s 2,500-year-old Art
of War; Niccol� Machiavelli�s The
Prince and Discourses; Carl von
Clausewitz�s 1832 classic, On War;
and Sir Basil Liddell-Hart�s Strategy.
These texts remain essential, of course, but
missing were textbooks, or blueprints
covering the broader context.
Science has now
given us the ability to better understand
the impact of climate�s inevitable and
immutable process of change, and the impact
of geospatial strategic change brought about
by mankind�s unprecedented ability to move
globally and into space. And, of course, we
need to understand the ramifications of
changes in scale and pace which the
compounding development of human tools has
allowed.
The first maxim
sets the stage, and says: Victory is the
principal goal of a society and the first
responsibility of the state, because only in
victory is survival possible. And �
because I wanted to ensure that the maxim
was understood at a broad public level � I
begin that chapter with an example of how
Daimler and Chrysler each began their search
for survival, a process which led to their
1998 merger, and how Daimler emerged as the
dominant party and the ultimate victor in a
corporate sense, and Chrysler, in order to
survive, sacrificed a great degree of
control over is own destiny: its language,
culture, and so on. It was a prosaic version
of the fictional space invaders who want to
take over earth because their own planet had
become untenable. Daimler, like a number of
other European (and particularly German)
companies such as Deutsche Post and now,
increasingly, Airbus Industrie, have
literally attempted to almost covertly
export their financial center of gravity to
the US because the US provided a more
habitable climate.
Taking the
longer view of the millennia of the
construction of the West�s dominance over
the globe, it may be that the moves of
corporations from, say, Germany to the US
amount to nothing more than moving the deck
chairs on the Titanic after the
iceberg had been struck. Unless � Unless the
West, or modern society, decides consciously
that it wishes to perpetuate its hard-earned
victory, instead of allowing it to be
eroded, or broken up; a process which is now
possible; and now indeed possible on a rapid
scale.
The parallels
between the West of today and the decline
and fall of the Roman Empire are evident.
In the book, I
also note that societies tend to bifurcate �
or trifurcate, or even more � when they
approach their zenith as was the case with
Rome. In Chapter 20, The Never-Ending
Challenge, Maxim 20 reads: Victory
can never be total, and this is its beauty.
Victory is always relative and will
ultimately fail if it attempts to be
absolute. To provide a current context,
I highlighted the reality that, despite the
fears of some Western Europeans � and some
in disenfranchised societies who rightly
feared for the survival of their own
cultures and bloodlines � the US at the end
of the Cold War was never going to be
the sole global power, just as Rome could
never have prevailed over the entire planet,
neither could the Mongols under Genghis
Khan, nor Hitler, nor the so-called
�monolithic communism� of which Lenin
fantasized.
To illustrate
the fact that absolute power absolutely
generates competition, I hope I made the
book more appealing by citing the parable of
financier Sir James Goldsmith, who said:
�When you marry your mistress, you
automatically create a job vacancy.� The
reality is that, like watching the constant
splitting of cells under a microscope, we
can see masses build, and then, ultimately
split and begin new lives as separate
entities.
Indeed, maxim 21
notes: The enemy of �identity� is �mass�.
Where identity is sacrificed to mass,
victory suffers. And in that chapter,
under that maxim, I say: �Welcome to an
Interregnum of Cratocide and Cratogenesis�.
Here, I�ve coined names for two of the
phenomena which have once again arisen, as
they rise throughout human history:
cratocide, the murder of nations; and
cratogenesis, the birth of nations. That�s
what we will see increasingly over the
coming few decades as the world re-defines
its structures: nations disappearing and
appearing. And that is one reason why the
United Nations, which saw its task as
freezing the status quo of the world
into 1945 terms � the terms of the
triumphant powers of World War II � will
soon become irrelevant.
The end of the
Cold War saw globalization break out, and
that spelled the crumbling of the
Westphalian principles, which had evolved
since 1648 as the absolute definition of
sovereignty. And, of course, that also means
that what we are pleased to call
�international law� as a rigidly codified
form of interaction between societies, will
also crash about our ears. The world is
redefining itself, and essentially many of
the artificial, or abstract, structures
which we have built will be replaced by more
fundamental realities of human interaction
and, in time, they too will become complex,
and entrenched, and then they too will
become sclerotic and brittle, and be
replaced.
In many
respects, that�s what The Art of Victory
attempts to understand: the very
fundamental, even genetically-implanted,
survival mechanisms which dictate how we
must react and interact as individuals and
societies if we are to survive and prosper
as a species.
As a result,
when we discuss the r�le of war in victory,
the book attempts to grasp the guiding
principles as to when war is productive or
counter-productive. Indeed, because conflict
now entails so many aspects of maneuver,
both physical and psychological, can there
ever in the future be clearly defined
periods of �war� and �peace�, if there ever
were?
Early in The
Art of Victory, I attempt to define how
we reached our current Age of Global
Transformation, which began with the end of
the Cold War. In a nutshell, we saw
societies building the great tools of power:
telecommunications, advanced rapid
transportation means, and, most importantly,
the ability to amass capital. These were the
instruments used by one bloc of
societies to oppose another bloc. But
with the end of the Cold War, instead of
being the tools which divided
opposing societies, they became the tools
which united mankind on many levels.
Humanity, capital, and, most significantly,
ideas could now flow virally around the
globe, something we had not seen since
Genghis Khan�s 13th Century
globalization.
The loss of
hierarchies induces in societies a
justifiable, and arguably visceral, fear for
their survival, and, in the uncertainty
which prevails, individuals and groups
emerge which attempt to re-acquire control
over their own destinies. Herein lie the
seeds of terrorism, of societal
re-awakenings, and of collapse.
In The Art of
Victory, I examine what this means in
the immediate and coming decades, as well as
attempting to define the underlying
rationales for societal evolution and
morphing. So the book looks, for example, at
whether Iran can re-emerge as a great power,
or whether the People�s Republic of China�s
and India�s seemingly inexorable rise as
superpowers can be sustained. What are the
consequences in such scenarios as far as the
rest of the world is concerned? And, of
course, I attempt to highlight the paths and
futures which are available to individuals
as well as to societies. By the way, there
are no guarantees that the People�s Republic
of China, or India, or Iran, will
succeed in their strategic goals in the
coming decades. The PRC leadership, for
example, knows that the PRC is in a race
with itself, to build a durable victorious
society before resource shortages �
including food and water � or population
unrest stop the upward spiral of wealth and
power in their tracks.
In many
respects, as the book discusses, the PRC is
massively dependent on external factors �
stable global supply of, and demand for,
materials and capital and products � at a
scale which in many respects has never
before been seen. Equally, if the PRC�s
quest for victory falters in a decade or two
because of resource, food and water
shortages, population unrest, or other
problems, then the internal reaction to such
a crisis could well be a search for a
galvanizing distraction abroad, such as war
with the ROC or even Japan or the US.
Survival of the leadership at home will
outweigh the logic of broader, longer-term
ramifications. To put it in Washington
parlance: the urgent will always outweigh
the important.
The book ends by
offering the option to see the Age of Global
Transformation as an Age of Opportunity.
Indeed, the book in some respects is
prescriptive: it attempts to define the
maxims by which humanity survives and
triumphs. Moreover, it attempts to take us
past the immediate fashions, or fashionable
morals, which constrain us to short-term
perspectives, and looks toward the
longer-term virtues of survival and human
interaction. It looks at the innate
requirement of nature that we have belief
systems � often expressed as religion or
pseudo-religion � and that we automatically
comprehend at an individual level the
meaning of �justice�, and the meanings of
such concepts as loyalty and duty. These are
not just words, or artificial concepts; they
are, like the inherent need for species to
achieve victory, part of the natural process
of survival. These are devices which enable
us to work cooperatively with others; to
build alliances for security; to drive our
sense of self-worth � of which identity
security is such a critical part � and in
turn enable us to build achievements which
enhance the likelihood of the survival of
our bloodline and species down the
generations.
What I�ve tried
to do in The Art of Victory is to
shorten the linkages between the fundamental
drivers of human survival and the challenges
we face today and into the future. So it
attempts to lay out a philosophy and yet to
translate that philosophy into immediately
practicable actions for individual life, and
for the life of societies.
My hope is that
The Art of Victory will inspire
optimism and the willingness to see vital
issues in a broader and more exciting
tapestry. We need to escape the
characteristic which says �I am rich,
therefore I must be smart�, and realize that
our wealth as a global society may be
exactly what blinds us to the great
challenges which face us over the coming
decades.
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